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Really noticed on the 1996 Dance Bites tour where she danced in a piece by Christopher Wheeldon. Everything, and I mean everything, was well defined, well executed and looked so very smooth - smooth above all. Chloe also danced Darcey Bussell's role in Wheeldon's "Pavane pour une infante defunte"; a major opportunity which she seized wholeheartedly.
Here is what the critic Clive Barnes said when he saw her in New York, "... Davies, an interesting dancer who I hadn't noticed much before, looks, at some angles, oddly like the fabled Fonteyn, and dances with a svelte couthness, a little like the also fabled Berisova. It's a Royal Ballet lineage worth following". One of my (BM) tips for the very top in a few years (remember you heard it here first!).
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